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Levinthal, David (Photographer); Rosenblatt, Roger; Trudeau, Garry & Young, James E. (Contributors). MEIN KAMPF. Santa Fe, NM: Twin Palms Publishers, 1996. Hardcover. First Edition/First Printing. 87 pages. As New.

Landmark collection of color photographs on subject. One of the greatest photography books of the 20th century. Limited Edition of 3500 copies. An austerely elegant production by David Levinthal and Jack Woody: Oversize-volume format. Black cloth boards with photographic reproduction pasted on the front cover and red titles embossed on the spine, as issued. Photographs by David Levinthal. Essays by Roger Rosenblatt, Garry Trudeau, and James E. Young. This is Levinthal's second collaboration with Trudeau, the creator of "Doonesbury". Printed on thick coated stock paper in Japan to the highest standards. Without DJ, as issued. Presents "Mein Kampf", David Levinthal's sequel/companion volume to "Hitler Moves East" (1977). The latter consisted of black-and-white photographs; the present collection is entirely in color. Like his other collections built around compelling themes, "Mein Kampf", whose title is adopted from Adolf Hitler's autobiography/political manifesto, tells an unforgettable photo-narrative about a Past that continues to haunt the Present. It is not possible to imagine a more demonic figure than Hitler and a more evil ideology than Nazism. What makes "Mein Kampf" permanently disturbing is Levinthal's point that Hitler may be long dead but his legacy is very much alive, very much with us. Photographing his toy artifacts is an artistic strategy that is now identified with the artist. Levinthal is a collector twice over: First, of vintage toys, which are valuable in and of themselves (Levinthal's photographs would not have the same power if the toys were new or merely replicas, therefore not "collectible"); second, of images by their photographer/collector, who deploys a highly developed technique that enables him to make the toys come, uncannily, to life. As such, Levinthal's body of work is ultimately about aesthetics versus ethics, the paradox of the aesthetically pleasing photograph (which seduces) despite its ethically horrific subject (which repels). The photographs are beautiful, which is not the same thing as saying they glorify their subject. They do not. Instead, their beauty paradoxically makes us more aware of the fact that evil persists. An absolute "must-have" title for David Levinthal collectors. This copy is very prominently and beautifully signed in black ink-pen on the title page by David Levinthal. This title is now highly collectible. This is the only such signed copy of the Limited Edition available online, is still in the publisher's original shrinkwrap, and has no flaws, a pristine beauty. A rare signed copy thus. 59 color plates. One of the greatest living photographers. A flawless collectible copy. (SEE ALSO OTHER DAVID LEVINTHAL TITLES IN OUR CATALOG). ISBN 0944092403. $200.00

This item is available for purchase. This web page was most recently updated on August 17, 2017.